Thursday, October 22, 2009

The Minister’s Black Veil’s theme is distinctive of several gothic short stories. In each every one, there is always something that is not usual and is very creepy. Also, what I have noticed with this gothic method of writing is that a lot of things start out just right and it is a little too perfect. This story follows the rules for the gothic subject in most gothic short stories. It also appeals to the expression triangle.

The Minister’s Black Veil is a type of peculiar legend about a minister named Mr. Hooper. He was eminent and commonly respected. Nathaniel Hawthorne portrays this tale very fine and with a lot of explanation. He gives a good thought of what the people really thought about a spiritual leader in the Puritan society doing something so forbidden at that point in time.

The period in which this legend takes place is very key in History. Many past events occurred at that time. Many of these past events are involved with writing by many authors and journalists. People in this time frame are mostly Puritans, basically a sacred and closely joined community. When Mr. Hooper comes out and shows himself with a black mask covering his face, it produces somewhat of a commotion and uproar amongst the religious population. Hawthorne does a great job of clearing up and telling the result it had on his worshippers. It propels people into a bit of a fit.

Since the society was largely Puritan, religion plays the main position in their daily being. By the pastor covering his facade in an awful and discouraging way, it confuses everyone. No one has an idea why he has on the veil. Mr. Hooper didn’t converse with anybody about it, neither did he tell them why he dresses in it. It stays sacred. He declined ever taking it off until he died, which causes him to lose his wife. Adding these small things proved the importance and the loyalty that Mr. Hooper had towards this new idea of his. This was well portrayed by Nathaniel Hawthorne.

The story of The Minister’s Black Veil doesn’t simply appeal to the rhetoric triangle, but it makes general logic. It depicts the shady side of the idealism age and shows the feelings of this precise author.

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